Red River Dialect: David Morris Solo Tour with the New Bums

Wednesday, 9 April 2014

David Morris Solo Tour with the New Bums

Hey and Hello,

I'll be doing a solo tour opening a string of UK shows for Ben Chasny and Donovan Quinn's new band, the New Bums. Who are great. There's a video below. Come out and say hello and see the show if you are nearby - please note I am not playing at the London show or the festival, but I'll be at the shows. We keep promising a new record but I think it is even more likely that it will happen this summer than the last time we said it. David XX

12th June - London, Cafe Oto - double bill with Tara Jane O Neil

13th June - Stretton on Fosse, Village Hall w/ David Morris

14th June - Launceston, Cafe 8.

15th June - Falmouth, Beerwolf w/ David Morris
17th June - Hebden Bridge, Masonic Hall w/David Morris

18th - Glasgow, The Glad Cafe w/ David Morris
19th - York, The Basement w/ David Morris
21st - Ratlinghope (Shropshire), Sineater Festival

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Press & Reviews

“fervid three-guitar + fiddle workouts. You could place them as an Anglo-celt analogue to folk-rock churners like Arbouretum and, especially, PG Six, though there’s something of The Waterboys circa “A Pagan Place” in there, too.” John Mulvey, UNCUT

“Red River Dialect are interesting in that they appear to fuse this traditional strain of inclusive, rabble-rousing folk rock with more adventurous, psychedelic influences that place them right at the genre's cutting edge… (they) are obviously neither bandwagon-jumping dilettantes nor finger-in-the-ear luddites, but experienced musicians and long-term enthusiasts whose fusion of styles is always in service of the song…

Awellupontheway fuses folk-rock's past with its future, carrying forward the energy, urgency and melody that has long served the form well, and merging it with the more experimental, avant-garde approach of some of our most exciting guitar bands… Red River Dialect is a language open to all.” The Quietus

“Morris’s songs, eight of them here, take the lilt and roll of British sea chanties and blow them into amplified, feedback-droning, violin squalling anthems. This is, no kidding, one of the best folk-derived, psych-filtered rock albums of 2012, a great hoary rampaging beast of a record that rakes bloody, violent claws through the symmetries of traditional folk.” Jennifer Kelly, Dusted Magazine.