Red River Dialect: Live shows & Album

Thursday, 29 July 2010

Live shows & Album

Red River Dialect will be playing two shows in London next week, one at the Note Well Salon on Tuesday August 3rd at The Book Club 100 Leonard Street EC2 4RH.

The event involves a playlist curated by the organisers under the theme of "Friend Music" followed by a slot for participants to play the group a song of their choice on the same theme (bring an ipod or cdr). After this I will play a half hour slot, from approximately 1030pm. Advance tickets here (£4.40) http://www.facebook.com/event.php?eid=108763665842992&ref=mf

The second show is at the Kings Cross Social Club on August 5th, I will add more detail when I have it, I think it is free entry and I reckon I'll be playing early on the bill.

Simon and I have finished our new album, it is mixed and sequenced, we're just figuring out how to get it out there into the world.

D

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Press & Reviews

“fervid three-guitar + fiddle workouts. You could place them as an Anglo-celt analogue to folk-rock churners like Arbouretum and, especially, PG Six, though there’s something of The Waterboys circa “A Pagan Place” in there, too.” John Mulvey, UNCUT

“Red River Dialect are interesting in that they appear to fuse this traditional strain of inclusive, rabble-rousing folk rock with more adventurous, psychedelic influences that place them right at the genre's cutting edge… (they) are obviously neither bandwagon-jumping dilettantes nor finger-in-the-ear luddites, but experienced musicians and long-term enthusiasts whose fusion of styles is always in service of the song…

Awellupontheway fuses folk-rock's past with its future, carrying forward the energy, urgency and melody that has long served the form well, and merging it with the more experimental, avant-garde approach of some of our most exciting guitar bands… Red River Dialect is a language open to all.” The Quietus

“Morris’s songs, eight of them here, take the lilt and roll of British sea chanties and blow them into amplified, feedback-droning, violin squalling anthems. This is, no kidding, one of the best folk-derived, psych-filtered rock albums of 2012, a great hoary rampaging beast of a record that rakes bloody, violent claws through the symmetries of traditional folk.” Jennifer Kelly, Dusted Magazine.