Red River Dialect: Hastily organised Musical Enthusiasm EXPO

Wednesday, 20 August 2014

Hastily organised Musical Enthusiasm EXPO - Sunday 24/08/14 in Dalston.

Playing a set on Sunday night at the very easy to appreciate Servants Jazz Quarters in Dalston. It's free entry and a bank holiday weekend! So it's Saturday night pt II, the Return of the Lie In, so they say. That's only for some people, but we would like some people to be there, so join them! I'll be joined by Ed Sanders for a few on the fiddle, and Jack Kindred-Boothby for a few on the cello (I hope, is that possible Jack?) before Pollyanna Valentine take us for a ride in a sky-high Estancia. Before that, Alyssa Moxley will play. Please spread the word. Love, David.

Here's a Facebook Event Page

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Press & Reviews

“fervid three-guitar + fiddle workouts. You could place them as an Anglo-celt analogue to folk-rock churners like Arbouretum and, especially, PG Six, though there’s something of The Waterboys circa “A Pagan Place” in there, too.” John Mulvey, UNCUT

“Red River Dialect are interesting in that they appear to fuse this traditional strain of inclusive, rabble-rousing folk rock with more adventurous, psychedelic influences that place them right at the genre's cutting edge… (they) are obviously neither bandwagon-jumping dilettantes nor finger-in-the-ear luddites, but experienced musicians and long-term enthusiasts whose fusion of styles is always in service of the song…

Awellupontheway fuses folk-rock's past with its future, carrying forward the energy, urgency and melody that has long served the form well, and merging it with the more experimental, avant-garde approach of some of our most exciting guitar bands… Red River Dialect is a language open to all.” The Quietus

“Morris’s songs, eight of them here, take the lilt and roll of British sea chanties and blow them into amplified, feedback-droning, violin squalling anthems. This is, no kidding, one of the best folk-derived, psych-filtered rock albums of 2012, a great hoary rampaging beast of a record that rakes bloody, violent claws through the symmetries of traditional folk.” Jennifer Kelly, Dusted Magazine.