Red River Dialect: First show of 2015, and news of new record 'news'

Thursday 12 February 2015

First show of 2015, and news of new record 'news'

Happy to announce our first gig of 2015! At the lovely Lexington, in London on March 22nd. We are happy to be opening for Cian Nugent, who is an incredible guitar player. Looks like the full five piece will be on stage for this show, a sort of electric banjo, fiddle, piano keys, cello and guitar affair, very much in line with the sound of our new record. WHICH IS FINISHED! There will be some news about that in the coming days.... sounds will follow soon after... In the meantime, please do share this FB event page link or invite people along. The sound at this place is great, and we hope to see you all there. Get yr tickets now! With bells on, like Simon.

Facebook: https://www.facebook.com/events/663332247111834/

Ticket link: http://www.wegottickets.com/event/303092

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Press & Reviews

“fervid three-guitar + fiddle workouts. You could place them as an Anglo-celt analogue to folk-rock churners like Arbouretum and, especially, PG Six, though there’s something of The Waterboys circa “A Pagan Place” in there, too.” John Mulvey, UNCUT

“Red River Dialect are interesting in that they appear to fuse this traditional strain of inclusive, rabble-rousing folk rock with more adventurous, psychedelic influences that place them right at the genre's cutting edge… (they) are obviously neither bandwagon-jumping dilettantes nor finger-in-the-ear luddites, but experienced musicians and long-term enthusiasts whose fusion of styles is always in service of the song…

Awellupontheway fuses folk-rock's past with its future, carrying forward the energy, urgency and melody that has long served the form well, and merging it with the more experimental, avant-garde approach of some of our most exciting guitar bands… Red River Dialect is a language open to all.” The Quietus

“Morris’s songs, eight of them here, take the lilt and roll of British sea chanties and blow them into amplified, feedback-droning, violin squalling anthems. This is, no kidding, one of the best folk-derived, psych-filtered rock albums of 2012, a great hoary rampaging beast of a record that rakes bloody, violent claws through the symmetries of traditional folk.” Jennifer Kelly, Dusted Magazine.